Thursday, October 27, 2011

ADISHAM BUNGALOW



Adisham is the kind of place seekers of peace dream about. Now a religious house where tranquility lies like a blessing and the grandeur of sweeping mountain vistas takes your breath away, Adisham was originally the country seat of Sir Thomas Villiers. The spirit of Thomas Lister Villiers strongly pervades this stately house. Villiers came to Ceylon in 1887 with 10 sterling pounds in his pocket. He was born in 1869 in Adisham Rectory in Kent, the son of Rev Henry Montague Villiers. He was a grandson of Lord John Russell, twice prime minister of Britain.
Villiers received a public school education but instead of settling down to a business or political career in England chose adventure in the colony of Ceylon. Soon after his arrival, he began life as a trainee planter (a creeper) on Elbedde Estate, Bogawantalawa. In 1896 he married the daughter of a tea planter and went to Brazil. He returned to Ceylon four years later and soon began his own tea estate, Dikoya Group.

Dream home

In 1905 Villiers joined the firm of George Steuarts, a trading and estate agency house in Colombo, and rose to be its chairman in 1928, a position he held till retirement in 1948. He also played a role in Ceylon politics.
It was while he was chairman of George Steuarts that Sir Thomas commenced building a dream home in the country. He selected an idyllic site at Haputale, surrounded by virgin forest and commanding views across hills and valleys and the highest mountain ranges of Ceylon. The house was designed in the Tudor style, on the lines of Leeds Castle in Kent, with stout granite walls of locally quarried stone, long, narrow turret windows and chimneys. It looked in every detail an Elizabethan country mansion, the retreat in the tropics of a homesick Englishman, nostalgic for the scenes of his boyhood. Villiers spared no expense to ensure that his country home was luxurious in its appointments. The roof was covered with flat Burma teak shingles. The doors, windows, paneling, staircase and floors were all of Burma teak. The elaborate pillared landing on the main staircase adorned by portraits of his relatives, the Clarendons and the Dukes of Bedford, consists of four stout English oaks, polished, but otherwise natural.
The garden lay-out was also British and, as in the house, the incomparable scenery is used to best effect. The terraced lawns, flowerbeds and orchard, like the drawing room, study, library, dining room and bedrooms, look out on lofty mountain ranges, all between 1,800 and 2,100m above sea level, etched sharply on the skyline to form a curious outline called the Sleeping Warrior.
Villiers imported fine period furniture, linen, carpets, porcelain, silver, and glassware from England for his home and named it Adisham after the Kentish village where he was born. English tea and cabbage roses bloomed on the lawns. Albertines and honeysuckle climbed over the porches and windows strawberries, apples and Victoria plums ripened in the cool mountain air and the tropical sunshine. Villiers even had an English chauffeur for his Daimler.

House parties

Adisham entertained the social elite of Ceylon at the time. Its house parties included the governor and distinguished visitors to the island. Lady Villiers, chatelaine of Adisham, was a gracious, gentle person and a charming hostess. She was a painter of considerable skill and her oil paintings and water-colours, mostly of marine subjects, adorn the walls of the library and the drawing room. The Villiers had two sons but both pre-deceased them Their only grandson, Stephen, who lives in England, recently visited Sri Lanka with a BBC team for the preparation of a feature on Adisham. Sir Thomas retired to Kent and died on December 21, 1959. In 1949, after Sir Thomas left George Steuarts, Adisham and its furniture, fittings and other effects were sold to the Sedawatte Mills. In 1961 the Roman Catholic Church acquired Adisham with its 12 acre grounds and turned it into a monastery and novitiate run by the priests of the Congregation of St Sylvester, a missionary order that came to Ceylon in the 1840s. Today, the spirit of Sir Thomas and Lady Villiers linger in their living rooms kept in impeccable order by the Sylvestrines. The libooks and its cases of polished oak, is meticulously orderly even though the Regency clock on the mantelpiece of the handsome fireplace, with its gleaming fire-irons, has stopped ticking. A long line of the Dukes of Bedford look down from the walls and one gets the feeling that any minute Sir Thomas might come in, calling to his dogs.

Bird sanctuary

The drawing room has been preserved in every detail. David Paynter`s study of Sir Thomas, looks down from above the William IV furniture which is polished even if the Lancashire broadloom on the chairs and the Ax Minster carpets have aged gently. On the Dutch marquetry card-table is a half-finished game of Patience and the Georgian gate-legged table is set for tea with Wedgewood jasper china. The rustle you hear is not the swish of silk dresses on the beautifully kept grand staircase it is just the wind sighing in the forest trees. Outside the morning room the terrace looks out over the sunny lawns, rioting with a hundred varieties of roses. A signboard near the gate reminds you that if you can`t find happiness along the way, you will not find it at the end of the road. One of Adisham`s most wonderful sights is its natural bird sanctuary. Brilliantly plumaged orange mini-verts, green barbets, blue magpies, paradise flycatchers, hornbills, golden oreoles and a host of others which live in the forested slopes of the nature reserve above Adisham swoop down to feast on apple and plum trees.
Today`s Adisham is primarily a monastery, where a small community of six novices and a few monks follow a schedule of prayer, meditation, work and service. Adisham has made itself famous for fine products such as strawberry jam, orange marmalade, wild guava jelly and fresh fruit cordials.
When Adisham was purchased, the priests found half-wild strawberries, Seville oranges and guavas from the original Villiers orchards, which they developed and extended. The priests as well as a few villagers work in the orchards, vegetable gardens, and dairy and in the processing of produce.
The day begins early for the novices and priests when the rising bell tolls at 05.30 hours in the mist covered dawn. If is always chilly and, from November to January when the north-east monsoon howls down the Tangamalai wind-gap, freezing. The gong sounds for muster for tea-estate labourers on neighbouring Glenanore Estate when the priests kneel in prayer and meditation in the little chapel adorned with an image of St Benedict.

Spiritual experience

Breakfast is at 0800 hrs and is wholesome and home grown: It is served, like all meals, in the plain and austere refectory. Two hours of silence, contemplation and study follow. Next come two hours of manual work in the orchards, flower and kitchen gardens, dairy, house, laundry or kitchen. Prayer at the chapel is followed by a lunch of rice and spicy curries with fresh vegetables from the gardens. A period of recreation follows, when a sense of humour and a cheerful heart are encouraged. An hour`s manual work, a short break for tea, silence, prayer, studies, more prayer, dinner, recreation, study and then, after 2230 hrs the great silence of the monastery reigns. From their bedroom windows, the brothers can see the mist swirling round the Sleeping Warrior. On clear, moonlit nights, the view is stunning and heaven seems within touching distance.
Although it should be emphasised that Adisham is not in any way a commercial guest-house nor a Villiers museum open to casual callers, accommodation is available for 12 guests. It would suit people appreciative of a Christian spiritual experience, counsel and guidance, in a place of surpassing peace, solitude and beauty. The large rooms are comfortable and have some of the best mountain views in Sri Lanka. The food (three main meals and afternoon tea) is simple but excellent and the atmosphere edifying and serene.
Guests should not expect hotel amusements and are expected to be considerate of the rules of the community. Prior written notice and booking are essential.

Sunday, October 23, 2011

THE NATURE OF SRILANKA: water falls in uva province srilanka

THE NATURE OF SRILANKA: water falls in uva province srilanka: BAMBARAKANDA WATER FALL Bambarakanda is considered the tallest waterfal in Srilanka with a located 4km away from the Kaluphana weerakoo...

Sunday, October 16, 2011



 Dunhinda Water Falls
dunhinda falls

It’s located in Badulla district, soundly in Soranathota which is on Badulla – Mahiyanganaya route in the distance of 5km from Badulla town. To reach the Dunhinda Falls you have to walk 1km from the main route on a walkway. Dunhinda Falls which has a falling gap of 63m is generated by Badulu Oya. It shows characteristics of both Plunge and Punchbowl type water falls. When water drops losing contact with the bedrock, it’s called a Plunge type water fall and in Punchbowl type water falls water stream widens from top to bottom. Dunhinda Falls got its name because of the dew it makes. The name Dunhinda can be divided in to two parts as “dun” and “hinda”. In Sinhalese the word dun means gas and the word hinda means evaporate.


There are two main folklores around the formation of the Dunhinda Falls. One is that there were two lovers who deeply loved each other in a village called Kosgalla near by Dunhinda long time ago. The two lovers were demanded either to be separated or to be produced before the court by the rest. It wasn’t possible for both lovers to be separated. So they decided to hurl themselves downward the cliff which the Dunhinda Falls pours down now. They went to the top and committed suicide. That night amazing thing happened. A massive storm arrived to the village destroying all the villages and animals. There after the river flew hotly and the Dunhinda formed. It’s believed that the mournful crying voice of Menik Bandara (The Boy) still can be heard through the wind.

Dunhinda Water Falls

Dunhinda is the pride of Badulla and Sri Lanka s loveliest and most dramatic waterfall and 200 ft in height. This is a part of the "Maha weli" rever system, carrying down the waters of Badulu oya. According to the folk history of Badulla, there was a time when the whole area, which is now the Badulla valley, was inundated due to the rever being blocked by a Wild creeper which had grown where the Dunhinda begins it s drop. The king of that time gave a commission to a subject to have the creeper removed and save the valley. The task took three months and saw the birth of the waterfall and the safety of the valley.


Ddaunhin Falls At 63 metres, the Dunhinda Falls is the highest waterfall on the Badulu Oya, a river that rises in the mountains on the border of the Uva highlands and flows into the Mahaweli Ganga. Some say this is the most awe-inspiring waterfall in Sri Lanka. Certainly it looks impressive, with its water roaring over a rocky ledge and falling with clouds of spray into a large pool in the rocks below. And therein lies the name of these falls, for dunhinda in Sinhala means spraying or vapor waterfall. The Dunhinda Falls are located 5 km north of Badulla on the Badulla - Taldena Road. From the main road, with its fine views of the Badulu Oya valley, there is a 1-kilometre path to the waterfall. This path in fact follows the course of the Badulu Oya, which flows at the bottom of the valley through dense forest. Although clearly defined, this path is sometimes rocky, and so suitable footwear should be worn. There is a good observation spot at the end of the path. Close to the fall is an ancient cave, once the home of Veddas from Bintenne.

Sunday, October 9, 2011

SIGIRIYA - THE LION MOUNTION
SIGIRIYA ROCK
Sigiriya, in fact, should have been classed as one of the Wonders of the Ancient World, long ago, and there is now a proposal to name it as the Eighth Wonder of the world. Perhaps, it is better late than never!
    
The Sigiriya Rock
   Sri Lanka's ancient architectural tradition is well portrayed at Sigiriya, the best preserved city centre in Asia from the first millennium, with its combination of buildings and gardens with their trees, pathways, water gardens, the fusion of symmetrical and asymmetrical elements, use of varying levels and of axial and radial planning. Sophisticated city planning was at the heart of Sigiriya, this royal citadel of ancient fame from the days of Sri Lanka's memorable past.

The Complex consists of the central rock, rising 200 meters above the surrounding plain, and the two rectangular precincts on the east (90 hectares) and the west (40 hectares), surrounded by  two moats and three ramparts.

The plan of the city is based on a precise square module. The layout extends outwards from co-ordinates at the centre of the palace complex at the summit, with the eastern and western axis directly aligned to it. The water garden, moats and ramparts are based on an ‘echo plan’ duplicating the layout and design on either side. This city still displays its skeletal layout and its significant features. 3 km from east to west and 1 km from north to south it displays the grandeur and complexity of urban-planning in 5th century Sri Lanka

The most significant feature of the Rock would have been the Lion staircase leading to the palace garden on the summit. Based on the ideas described in some of the graffiti, this Lion staircase could be visualised as a gigantic figure towering majestically against the granite cliff, facing north, bright coloured, and awe-inspiring. Through the open mouth of the Lion had led the covered staircase built of bricks and timber and a tiled roof. All that remains now are the two colossal paws and a mass of brick masonry that surround the ancient limestone steps and the cuts and groves on the rock face give an idea of the size and shape of the lion figure.

Though traces of plaster and pigments occur all over this area, there are only two pockets of paintings surviving in the depressions of the rock face, about a 100 meters above the ground level. These paintings represent the earliest surviving examples of a Sri Lanka school of classical realism, already fully evolved by the 5th century, when these paintings had been made. Earlier the Sigiri style had been considered as belonging to the Central Indian school of Ajanta, but later considered as specifically different from the Ajanta paintings. The ladies depicted in the paintings have been variously identified as Apsaras (heavenly maidens), as ladies of Kasyapa’s court and as Lightening Princess and Cloud Damsels.

There are also remains of paintings in some of the caves at the foot of the rock. Of special significance is the painting on the roof of the Cobra Hood Cave. The cave with its unique shape dates from the pre-christian era. The painting combines geometrical shapes and motifs with a free and complex rendering of characteristic volute or whorl motifs. It is nothing less than a masterpiece of expressionist painting
The Sigiri Gardens
The Sigiri Gardens blend together to make the perfect setting for the Lion Mountain.    
The Sigiri Gardens - the inner moat

GARDENS IN THE WESTERN PRECINCT

The gateway to the western precinct lies across the inner moat. It had an elaborate gate-house made of timber and brick with a tiled roof. The moat is perfectly aligned with a mountain peak in the distance

Only the southern side of the garden has been excavated, leaving the identical northern half for the archaeologist of the future. In the entire Sigiri-Bim, over 200 village tanks and rural sites have been investigated.

The water gardens of the western precinct are symmetrically planned, while the boulder garden at a higher level is asymmetrically planned. The water garden displays one of the worlds most sophisticated hydraulic technologies, dating from the Early Historic Period.

This shows an interconnection of macro- and micro-hydraulics to provide for domestic horticultural and agricultural needs, surface drainage and erosion control, ornamental and recreational water courses and retaining structures and also cooling systems.
The Macro system consisted of the Sigiri Maha weva, the manmade lake with a 12 km dam, running south from the base of the rock, a series of moats, two on the west and one on the east fed from the lake. At micro level are, the water control and the water retaining systems at the summit of the rock and at various levels with horizontal and vertical drains cut in to the rock and underground conduits made of cylindrical terracotta pipes.

WATER GARDENS

The miniature water garden just inside the inner wall of the western precinct, consists of water pavilions, pools, cisterns, courtyards, conduits and water courses. The pebbled or marbled water-surrounds covered by shallow slowly moving water would have served as cooling devices with an aesthetic appeal with visual and sound effects, which could be visualised by a visitor who could spend a little time.

The largest water garden has a central island surrounded by water and linked to the main precinct by cardinally-oriented causways. This was created 5 centuries before those at Angkor in Cambodia or Mughal gardens in India. The central island would have been occupied by a large pavilion.

The water is in four L-shaped pools, connected by underground water conduits at varying depths, to provide different water levels. The pool on the south-west, is divided into a large bathing pool, with a corbelled tunnel and steps leading down into it. The other pool is smaller with a central boulder on which was a brick-built pavilion.

The fountain garden is a narrow precinct on two levels. Western half has two long and deep pools, with shallow serpentine streams draining into the pools. These had been paved with marble slabs. These streams display the fountains, which have been made from circular limestone plates with symmetrical perforations, which are fed by underground water conduits and operate by gravity and pressure. There are two shallow limestone cisterns which would have served as storage and pressure chambers for the fountains. These fountains are still active during the rainy season from November to January.

On either side of the fountains are four large moated islands , oriented north-south, cutting across the central axis of the water garden. This too shows the symmetrical repetition. The flattened surfaces of the islands were meant for the Summer Palaces or ‘water pavilions’. Access to the pavilions were across bridges cut into the surface rock.

The Octagonal pond is at a point where the water garden and the boulder garden meet, a still higher level from the rest of the water garden. It is at the base of a towering boulder. There is a raised podium and a drip ledge, which would have formed the bathing pavilion . The pond is surrounded by a wide terrace also octagonal.
BOULDER GARDEN -

The boulder garden at a higher level from the symmetrical water garden is a totally different organic or asymmetrical concept, with winding pathways, natural boulders. Almost every rock and boulder in this garden must have had a building of brick and timber. It also has the Cistern Rock which has a large cistern made of huge slabs of granite. There is also the Audience Hall rock, with a 5 metre long throne carved out of the rock

The entrance to the inner citadel (15 hectares) is made of a massive brick and stone wall, which forms a dramatic backdrop to the water garden and to the rock and the palace on the summit towards the east of it. The wall runs from the Octagonal pond to the bastion on the south-east, which is formed of wide brick walls linking a series of boulders surrounding a cave pavilion with a rock-cut throne.
TERRACE GARDEN -

The Terrace Garden at the base of the rock is fashioned out of the natural hill , made with rubbled retaining walls, each terrace running in a concentric circle around the rock, each rising above the other.

The Palace garden on the summit was the domestic garden with its terraces and rock cut pools
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The Story of Sigiriya

    Sigiriya was no mere fortress, gloomy and forbidding. At the brief height of its glory-it was a royal citadel for more than 18 years, from 477 to 495 A.D. and one of the loveliest that have graced this land.

    There are many interpretations of the Sigiriya period, history replete with legend, love and betrayal. But one story remains, the story of Kaspaya (477-495 A.D.) its creator, King with an artist's soul. Bards have written about him and plays and film have tired to capture his personality.

    Kasyapa left Anuradhapura and built for himself at Sigiriya, a palace and city modelled on the mythical abode of "Kuvera" God of Wealth. He gave form to his dreams of grandeur. Eighteen years later, his half-brother Moggallan challenged him with an army. By one of those momentary mistake of judgement that changes the course of history. Kasyapa thought he was alone in battle, raised his dagger and slew himself.

    In a sheltered pocket on the western face of the Sigiriya rock, approached by a spiral stairway, are the famous frescoes. Epigraphical evidenced refers to the existence of 500 such portraits, but only 19 remain today.

    On the western and northern sides of the steep rock face runs a gallery or pathway which provides access to the seemingly inaccessible summit. Shielding this pathway is a 9 1/2 ft. plaster wall, so highly polished, that even today, after fifteen centuries of exposure to sun, wind and rain, one can see one's reflection in it. Hence the name "Mirror Wall".

    On the polished surface are the Sigiri Graffit recorded by processions of visitors to the rock in the past.

    The summit of the rock is nearly three acres in extent. The outer wall of the palace which is the main building was constructed on the very brink of the precipice. There were gardens, cisterns and ponds laid out attractively.

    The pleasure garden of the western side of the rock is studded with ponds, islets, promenades and pavilions. Some underground and surface drainage systems have been discovered during excavations. The wall abutting the moat encircling the fortress is one of the most arresting features.

            The History of Sigiriya

            Sigiriya dates back from over 7,000 years ago, through Pre-Historic to Proto-Historic to Early Historic times, then as a rock-shelter mountain monastery from about the 3rd century BC, with caves prepared and donated by devotees to the sangha.

            The garden city and the palace was built by king Kasyapa 477 - 495 AD. Then after king Kasyapa's death it was a Buddhist monastery complex upto about the 14th century.

            The Mahavamsa, the ancient historical record of Sri Lanka, describes King Kasyapa as a parricide, who murdered his father King Dhatusena by walling him up alive and then usurping the throne which rightfully belonged to his brother Mogallana. To escape from the armies of Mogallana, Kasyapa is said to have built his palace on the summit of Sigiriya, but Mogallana finally managed to get to Kasyapa and he committed suicide.

            However, there is also another version of the Kasyapa story, related by one of the most eminent historians of Sri Lanka, Prof. Senerat Paranavitana. He claims to have deciphered the story of Sigiry, written by a monk named Ananda in the 15th cent. AD. This work had been inscribed on stone slabs, over which later inscriptions had been written. Till to date no other epigraphist has made a serious attempt to read the interlinear inscriptions.

            The two conflicting versions have been the basis for the historical novel 'Kat Bitha' by daya dissanayake, published in 1998.

                              Sigiriya is also the location for Arthur C Clerks ‘Fountains of Paradise’.

            SOUVENIRS

            Recent excavations had revealed miniature terracotta figurines at Sigiriya, from the post Kasyapan period. They are works of art which are miniature reproductions of the paintings on the Sigirya rock wall. They would have been sold as souvenirs for the visitors to Sigiriya Some of them are found at the Sigiriya Museum today.

    The Sigiri Frescoes

    John Still in 1907 had observed that; "The whole face of the hill appears to have been a gigantic picture gallery... the largest picture in the world perhaps".
    The paintings would have covered most of the western face of the rock, covering an area 140 meters long and 40 meters high. There are references in the Graffiti to 500 ladies in these paintings.

           

   

    

Saturday, October 8, 2011

PEESSA WATERFALL
Peessa waterfall is a wonderfull creation of kumbukkan oya, which is 300ft in height.The access to the falls begins from peessagama, mile posts on Badulla - batticaloa road.

water falls in uva province srilanka

BAMBARAKANDA WATER FALL



Bambarakanda is considered the tallest waterfal in Srilanka with a located 4km away from the Kaluphana weerakoongama junction, which is on the badulla - colombo high way. The awesome beauty of Bambarakanda can be observed during the period of November and February.